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La Teoria Sagrada del Espacio Ac​ú​stico / The Sacred Theory of The Acoustic Space

by Oscar Edelstein

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1.
Prólogo e Introducción (Prologue and Introduction) 04:38
2.
Grilla Acústica - Engranaje (Acoustic Grid - Gear) 11:12
3.
Omega 2 Omega 3 01:49
4.
H 10:28
5.
Coro de la La Teoría Sagrada del Espacio Acústico - Libro I (Choir of the Sacred Theory of the Acoustic Space - Book 1 03:03
6.
Vals (Waltz)- Free 13:36
7.
Epílogo - Arte de las Sombras (Epilogue - Shadows’ Art) 05:51

about

Super Audio SACD with three layers of audio, containing three different mixes of 57 minutes each. Recorded in Buenos Aires, mixed in 5.1 in a studio in Brasilia & pressed in a German factory

Super Audio SACD con tres estratos de audio, contiene tres mezclas diferentes de 57 minutos cada una. Fue grabado en Buenos Aires, mezclado en el formato 5.1 en un estudio de Brasilia y terminado en una fábrica aleman

”The instruments are pulsing and percussive, closer to free jazz and rock than the academic orchestra or the electro-acoustic tradition.....The rhythmic organization ranges between a geometric form (a chromatic progression that erases the best) and additive pulsating forms. Both forces are invoked mutually, rescuing a type of expression a little forgotten in the contemporary music. Perhaps the music of the ENS has it’s spiritual precedent not in the electro-acoustic laboratory but a little before, in the percussive Ionisation of Edgar Varèse.” / ”Son instrumentos pulsados o percutidos, más cerca del free jazz o del rock que de la orquesta académica o de la tradición electroacústico-organística...La organización rítmica oscila entre una forma geométrica (una progresión cromática que borra el pulso) y una forma aditiva pulsada. Las dos fuerzas se invocan mutuamente, rescatando un tipo de expresión algo olvidada en la música contemporánea. Tal vez la música del Ensamble tenga su antecedente espiritual no en el laboratorio electroacústico sino, un poco antes, en la percusiva Ionisation de Edgar Varèse.” Federico Monjeau, Clarín

“...sorprende la claridad y calidad acústica con la que se escuchan tramas sonoras de altísima complejidad distribuidas alrededor del oyente.” / “.. the clarity and acoustic quality is surprising with which you hear the sonorous plots of the highest complexity distributed around the listener.“ Martín Liut, La Nación

credits

released August 24, 2017

Piano: MARIO CASTELLI
Teclados / Keyboards: MARIANO CURA
Percusión / Drums: DIEGO ROMERO MASCARÓ
Contrabajo y bajo eléctrico / Electric & Acoustic Bass: GERÓNIMO CARMONA
Guitarra eléctrica / Electric Guitar: NICOLÁS VARCHAUSKY & RICHARD ARCE

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Oscar Edelstein Buenos Aires, Argentina

Oscar Edelstein is an original contemporary composer from Argentina. Known for his creativity & inventiveness, he is often described as leading Latin America's avant-garde.

“Edelstein is fundamental for his significance & originality but, especially, for his power of communication." PAGINA 12

“a distinctive sound…” CLARÍN

“Edelstein possesses a formidable pianistic technique…” ILAMS ... more

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